Friday, October 30, 2015

Writing 3 Class Notes -- Week 9 (October 29)

Greetings!

We had a great class this week.  We're getting into the nitty gritty of the research paper process, and, to me, that always feels super productive, even if a little stressful.

I started the class with a Common Application essay prompt:
  1. Describe a problem you’ve solved or a problem you’d like to solve. It can be an intellectual challenge, a research query, an ethical dilemma-anything that is of personal importance, no matter the scale. Explain its significance to you and what steps you took or could be taken to identify a solution.
They had some thoughtful comments and are thinking about life and the world around them.

I had sent rough drafts back to the students at the beginning of the week, and we discussed the editing and revising process.  I explained to them my process for reading this first rough draft:
1.  Read the whole paper through, not making any marks or comments.
2.  Read the introduction and conclusion, looking carefully at the thesis and the expressed direction of the paper.
3.  Read the whole paper again, evaluating the content and organization of each paragraph and making comments.


For some, I suggested a reverse essay.  Unlike a regular essay that you compose before you begin writing, a reverse outline shows what has actually been written in an essay.  Many times students have more information emerge or more ideas come to mind while they are writing.  When this happens, it sometimes gets mixed into the wrong paragraph.  Or, a student may be unsure where to put a category of information, so it is added in bits and pieces throughout the paper.  A reverse outline gives a student another perspective regarding the order and unity of a paper.

 We also discussed citations and the Works Cited page.  I showed them an online resource that I've found helpful.  The three that I recommend are:

In addition to these online resources, they each have a handbook for writing that I loaned them on the first day of class.  They need to use this book or another source to check the citations that these web sources generate.  I have found at times that a generator will present the name of the website as the name of the page.  The students also have handouts from me about proper MLA format.

Next week, the second rough draft is due, making this the week to make sure any additional information is added.  Next week, each student will trade his/her paper with another student for a peer edit.  Reading and editing a classmates paper is helpful in 2 ways:  1. Another set of eyes on a paper gives a fresh perspective; 2.  Editing is a valuable skill to grow in.

Assignments for Next Week:
-- Go through your Rough Draft #1 and highlight all of the "there is/are" sentences.  If you have an over-abundance, rewrite the sentences.
-- Prepare Rough Draft #2
-- In Rough Draft #2, underline the thesis statement.
-- Prepare the Works Cited page.
-- Bring an extra copy of Rough Draft #2 for the Peer Edit.

Links for this Week:
Class Notes

Have a great weekend!  
Mrs. Prichard

MLA Style Guide for Writing 3

MLA STYLE GUIDE
The Purdue OWL. Purdue U Writing Lab, 2010. Web. September 4, 2013.


General Guidelines

  • Type your paper on a computer and print it out on standard, white 8.5 x 11-inch paper.
  • Double-space the text of your paper, and use a legible font (e.g. Times New Roman). Whatever font you choose, MLA recommends that the regular and italics type styles contrast enough that they are recognizable one from another. The font size should be 12 pt.
  • Leave only one space after periods or other punctuation marks (unless otherwise instructed by your instructor).
  • Set the margins of your document to 1 inch on all sides.
  • Indent the first line of paragraphs one half-inch from the left margin. MLA recommends that you use the Tab key as opposed to pushing the Space Bar five times.
  • Create a header that numbers all pages consecutively in the upper right-hand corner, one-half inch from the top and flush with the right margin. (Note: Your instructor may ask that you omit the number on your first page. Always follow your instructor's guidelines.)
  • Use italics throughout your essay for the titles of longer works and, only when absolutely necessary, providing emphasis.
  • If you have any endnotes, include them on a separate page before your Works Cited page. Entitle the section Notes (centered, unformatted).

Formatting the First Page of Your Paper

  • Do not make a title page for your paper unless specifically requested.
  • In the upper left-hand corner of the first page, list your name, your instructor's name, the course, and the date. Again, be sure to use double-spaced text.
  • Double space again and center the title. Do not underline, italicize, or place your title in quotation marks; write the title in Title Case (standard capitalization), not in all capital letters.
  • Use quotation marks and/or italics when referring to other works in your title, just as you would in your text: Fear and Loathing in Las Vegas as Morality Play; Human Weariness in "After Apple Picking"
  • Double space between the title and the first line of the text.
  • Create a header in the upper right-hand corner that includes your last name, followed by a space with a page number; number all pages consecutively with Arabic numerals (1, 2, 3, 4, etc.), one-half inch from the top and flush with the right margin. (Note: Your instructor or other readers may ask that you omit last name/page number header on your first page. Always follow instructor guidelines.)













CITATION GUIDELINES

Basic in-text citation rules

In MLA style, referring to the works of others in your text is done by using what is known as parenthetical citation. This method involves placing relevant source information in parentheses after a quote or a paraphrase.
General Guidelines
  • The source information required in a parenthetical citation depends (1.) upon the source medium (e.g. Print, Web, DVD) and (2.) upon the source’s entry on the Works Cited (bibliography) page.
  • Any source information that you provide in-text must correspond to the source information on the Works Cited page. More specifically, whatever signal word or phrase you provide to your readers in the text, must be the first thing that appears on the left-hand margin of the corresponding entry in the Works Cited List.

In-text citations: Author-page style

MLA format follows the author-page method of in-text citation. This means that the author's last name and the page number(s) from which the quotation or paraphrase is taken must appear in the text, and a complete reference should appear on your Works Cited page. The author's name may appear either in the sentence itself or in parentheses following the quotation or paraphrase, but the page number(s) should always appear in the parentheses, not in the text of your sentence. For example:
Wordsworth stated that Romantic poetry was marked by a "spontaneous overflow of powerful feelings" (263). 

Romantic poetry is characterized by the "spontaneous overflow of powerful feelings" (Wordsworth 263).
Wordsworth extensively explored the role of emotion in the creative process (263).
Both citations in the examples above, (263) and (Wordsworth 263), tell readers that the information in the sentence can be located on page 263 of a work by an author named Wordsworth. If readers want more information about this source, they can turn to the Works Cited page, where, under the name of Wordsworth, they would find the following information:
Wordsworth, William. Lyrical Ballads. London: Oxford U.P., 1967. Print.

In-text citations for print sources with known author

For Print sources like books, magazines, scholarly journal articles, and newspapers, provide a signal word or phrase (usually the author’s last name) and a page number. If you provide the signal word/phrase in the sentence, you do not need to include it in the parenthetical citation.
Human beings have been described by Kenneth Burke as "symbol-using animals" (3).
Human beings have been described as "symbol-using animals" (Burke 3).
These examples must correspond to an entry that begins with Burke, which will be the first thing that appears on the left-hand margin of an entry in the Works Cited:
Burke, Kenneth. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of California P, 1966. Print.

In-text citations for print sources with no known author

When a source has no known author, use a shortened title of the work instead of an author name. Place the title in quotation marks if it's a short work (such as an article) or italicize it if it's a longer work (e.g. plays, books, television shows, entire Web sites) and provide a page number.
We see so many global warming hotspots in North America likely because this region has "more readily accessible climatic data and more comprehensive programs to monitor and study environmental change . . ." ("Impact of Global Warming" 6).
In this example, since the reader does not know the author of the article, an abbreviated title of the article appears in the parenthetical citation which corresponds to the full name of the article which appears first at the left-hand margin of its respective entry in the Works Cited. Thus, the writer includes the title in quotation marks as the signal phrase in the parenthetical citation in order to lead the reader directly to the source on the Works Cited page. The Works Cited entry appears as follows:
"The Impact of Global Warming in North America." Global Warming: Early Signs. 1999. Web. 23 Mar. 2009.
We'll learn how to make a Works Cited page in a bit, but right now it's important to know that parenthetical citations and Works Cited pages allow readers to know which sources you consulted in writing your essay, so that they can either verify your interpretation of the sources or use them in their own scholarly work.

Author-page citation for classic and literary works with multiple editions

Page numbers are always required, but additional citation information can help literary scholars, who may have a different edition of a classic work like Marx and Engels's The Communist Manifesto. In such cases, give the page number of your edition (making sure the edition is listed in your Works Cited page, of course) followed by a semicolon, and then the appropriate abbreviations for volume (vol.), book (bk.), part (pt.), chapter (ch.), section (sec.), or paragraph (par.). For example:
Marx and Engels described human history as marked by class struggles (79; ch. 1).

Citing authors with same last names

Sometimes more information is necessary to identify the source from which a quotation is taken. For instance, if two or more authors have the same last name, provide both authors' first initials (or even the authors' full name if different authors share initials) in your citation. For example:
Although some medical ethicists claim that cloning will lead to designer children (R. Miller 12), others note that the advantages for medical research outweigh this consideration (A. Miller 46).

Citing a work by multiple authors

For a source with three or fewer authors, list the authors' last names in the text or in the parenthetical citation:
Smith, Yang, and Moore argue that tougher gun control is not needed in the United States (76).
The authors state "Tighter gun control in the United States erodes Second Amendment rights" (Smith, Yang, and Moore 76).
For a source with more than three authors, use the work's bibliographic information as a guide for your citation. Provide the first author's last name followed by et al. or list all the last names.
Jones et al. counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (4).
Or
Legal experts counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (Jones et al. 4).
Or
Jones, Driscoll, Ackerson, and Bell counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (4).

Citing multiple works by the same author

If you cite more than one work by a particular author, include a shortened title for the particular work from which you are quoting to distinguish it from the others. Put short titles of books in italics and short titles of articles in quotation marks.

Citing two articles by the same author:
Lightenor has argued that computers are not useful tools for small children ("Too Soon" 38), though he has acknowledged elsewhere that early exposure to computer games does lead to better small motor skill development in a child's second and third year ("Hand-Eye Development" 17).
Citing two books by the same author:
Murray states that writing is "a process" that "varies with our thinking style" (Write to Learn 6). Additionally, Murray argues that the purpose of writing is to "carry ideas and information from the mind of one person into the mind of another" (A Writer Teaches Writing 3).
Additionally, if the author's name is not mentioned in the sentence, you would format your citation with the author's name followed by a comma, followed by a shortened title of the work, followed, when appropriate, by page numbers:
Visual studies, because it is such a new discipline, may be "too easy" (Elkins, "Visual Studies" 63).

Citing multivolume works

If you cite from different volumes of a multivolume work, always include the volume number followed by a colon. Put a space after the colon, then provide the page number(s). (If you only cite from one volume, provide only the page number in parentheses.)
. . . as Quintilian wrote in Institutio Oratoria (1: 14-17).

Citing the Bible

In your first parenthetical citation, you want to make clear which Bible you're using (and underline or italicize the title), as each version varies in its translation, followed by book (do not italicize or underline), chapter and verse. For example:
Ezekiel saw "what seemed to be four living creatures," each with faces of a man, a lion, an ox, and an eagle (New Jerusalem Bible, Ezek. 1.5-10).
If future references employ the same edition of the Bible you’re using, list only the book, chapter, and verse in the parenthetical citation.

Citing indirect sources

Sometimes you may have to use an indirect source. An indirect source is a source cited in another source. For such indirect quotations, use "qtd. in" to indicate the source you actually consulted. For example:
Ravitch argues that high schools are pressured to act as "social service centers, and they don't do that well" (qtd. in Weisman 259).
Note that, in most cases, a responsible researcher will attempt to find the original source, rather than citing an indirect source.

Citing non-print or sources from the Internet

With more and more scholarly work being posted on the Internet, you may have to cite research you have completed in virtual environments. While many sources on the Internet should not be used for scholarly work (reference the OWL's Evaluating Sources of Information resource), some Web sources are perfectly acceptable for research. When creating in-text citations for electronic, film, or Internet sources, remember that your citation must reference the source in your Works Cited.
Sometimes writers are confused with how to craft parenthetical citations for electronic sources because of the absence of page numbers, but often, these sorts of entries do not require any sort of parenthetical citation at all. For electronic and Internet sources, follow the following guidelines:
  • Include in the text the first item that appears in the Work Cited entry that corresponds to the citation (e.g. author name, article name, website name, film name).
  • You do not need to give paragraph numbers or page numbers based on your Web browser’s print preview function.
  • Unless you must list the Web site name in the signal phrase in order to get the reader to the appropriate entry, do not include URLs in-text. Only provide partial URLs such as when the name of the site includes, for example, a domain name, likeCNN.com or Forbes.com as opposed to writing out http://www.cnn.com or http://www.forbes.com.

Miscellaneous non-print sources

Werner Herzog's Fitzcarraldo stars Herzog's long-time film partner, Klaus Kinski. During the shooting of Fitzcarraldo, Herzog and Kinski were often at odds, but their explosive relationship fostered a memorable and influential film.
During the presentation, Jane Yates stated that invention and pre-writing are areas of rhetoric that need more attention.
In the two examples above “Herzog” from the first entry and “Yates” from the second lead the reader to the first item each citation’s respective entry on the Works Cited page:
Herzog, Werner, dir. Fitzcarraldo. Perf. Klaus Kinski. Filmverlag der Autoren, 1982. Film.
Yates, Jane. "Invention in Rhetoric and Composition." Gaps Addressed: Future Work in Rhetoric and Composition, CCCC, Palmer House Hilton, 2002. Presentation.

Electronic sources

One online film critic stated that Fitzcarraldo is "...a beautiful and terrifying critique of obsession and colonialism" (Garcia, “Herzog: a Life”).
The Purdue OWL is accessed by millions of users every year. Its "MLA Formatting and Style Guide" is one of the most popular resources (Stolley et al.).
In the first example, the writer has chosen not to include the author name in-text; however, two entries from the same author appear in the Works Cited. Thus, the writer includes both the author’s last name and the article title in the parenthetical citation in order to lead the reader to the appropriate entry on the Works Cited page (see below). In the second example, “Stolley et al.” in the parenthetical citation gives the reader an author name followed by the abbreviation “et al.,” meaning, “and others,” for the article “MLA Formatting and Style Guide.” Both corresponding Works Cited entries are as follows:
Garcia, Elizabeth. "Herzog: a Life." Online Film Critics Corner. The Film School of New Hampshire, 2 May 2002. Web. 8 Jan. 2009.
Stolley, Karl, et al. "MLA Formatting and Style Guide." The OWL at Purdue. 10 May 2006. Purdue University Writing Lab. 12 May 2006.

Multiple citations

To cite multiple sources in the same parenthetical reference, separate the citations by a semi-colon:
. . . as has been discussed elsewhere (Burke 3; Dewey 21).

When a citation is not needed

Common sense and ethics should determine your need for documenting sources. You do not need to give sources for familiar proverbs, well-known quotations or common knowledge. Remember, this is a rhetorical choice, based on audience. If you're writing for an expert audience of a scholarly journal, for example, they'll have different expectations of what constitutes common knowledge.


MLA Formatting Quotations

When you directly quote the works of others in your paper, you will format quotations differently depending on their length. Below are some basic guidelines for incorporating quotations into your paper. Please note that all pages in MLA should be double-spaced.

Short quotations

To indicate short quotations (fewer than four typed lines of prose or three lines of verse) in your text, enclose the quotation within double quotation marks. Provide the author and specific page citation (in the case of verse, provide line numbers) in the text, and include a complete reference on the Works Cited page. Punctuation marks such as periods, commas, and semicolons should appear after the parenthetical citation. Question marks and exclamation points should appear within the quotation marks if they are a part of the quoted passage but after the parenthetical citation if they are a part of your text.
For example, when quoting short passages of prose, use the following examples:
According to some, dreams express "profound aspects of personality" (Foulkes 184), though others disagree.
According to Foulkes's study, dreams may express "profound aspects of personality" (184).
Is it possible that dreams may express "profound aspects of personality" (Foulkes 184)?
When short (fewer than three lines of verse) quotations from poetry, mark breaks in short quotations of verse with a slash, ( / ), at the end of each line of verse (a space should precede and follow the slash).
Cullen concludes, "Of all the things that happened there / That's all I remember" (11-12).

Long quotations

For quotations that are more than four lines of prose or three lines of verse, place quotations in a free-standing block of text and omit quotation marks. Start the quotation on a new line, with the entire quote indented one inch from the left margin; maintain double-spacing. Only indent the first line of the quotation by an additional quarter inch if you are citing multiple paragraphs. Your parenthetical citation should come after the closing punctuation mark. When quoting verse, maintain original line breaks. (You should maintain double-spacing throughout your essay.)
For example, when citing more than four lines of prose, use the following examples:
Nelly Dean treats Heathcliff poorly and dehumanizes him throughout her narration:
They entirely refused to have it in bed with them, or even in their room, and I had no more sense, so, I put it on the landing of the stairs, hoping it would be gone on the morrow. By chance, or else attracted by hearing his voice, it crept to Mr. Earnshaw's door, and there he found it on quitting his chamber. Inquiries were made as to how it got there; I was obliged to confess, and in recompense for my cowardice and inhumanity was sent out of the house. (Bronte 78)
When citing long sections (more than three lines) of poetry, keep formatting as close to the original as possible.
In his poem "My Papa's Waltz," Theodore Roethke explores his childhood with his father:
The whiskey on your breath 
Could make a small boy dizzy; 
But I hung on like death: 
Such waltzing was not easy. 
We Romped until the pans 
Slid from the kitchen shelf; 
My mother's countenance 
Could not unfrown itself. (quoted in Shrodes, Finestone, Shugrue 202)
When citing two or more paragraphs, use block quotation format, even if the passage from the paragraphs is less than four lines. Indent the first line of each quoted paragraph an extra quarter inch.
In "American Origins of the Writing-across-the-Curriculum Movement," David Russell argues:
   Writing has been an issue in American secondary and higher education since papers and examinations came into wide use in the 1870s, eventually driving out formal recitation and oral examination. . . .
   From its birth in the late nineteenth century, progressive education has wrestled with the conflict within industrial society between pressure to increase specialization of knowledge and of professional work (upholding disciplinary standards) and pressure to integrate more fully an ever-widerning number of citizes into intellectually meaningful activity within mass society (promoting social equity). . . . (3)

Adding or omitting words in quotations

If you add a word or words in a quotation, you should put brackets around the words to indicate that they are not part of the original text.
Jan Harold Brunvand, in an essay on urban legends, states, "some individuals [who retell urban legends] make a point of learning every rumor or tale" (78).
If you omit a word or words from a quotation, you should indicate the deleted word or words by using ellipsis marks, which are three periods ( . . . ) preceded and followed by a space. For example:
In an essay on urban legends, Jan Harold Brunvand notes that "some individuals make a point of learning every recent rumor or tale . . . and in a short time a lively exchange of details occurs" (78).
Please note that brackets are not needed around ellipses unless adding brackets would clarify your use of ellipses.
When omitting words from poetry quotations, use a standard three-period ellipses; however, when omitting one or more full lines of poetry, space several periods to about the length of a complete line in the poem:
                      These beauteous forms, 
Through a long absence, have not been to me 
As is a landscape to a blind man's eye:
. . . . . . . . . . . . . . . . . . . .
Felt in the blood, and felt along the heart; 
And passing even into my purer mind, 
With tranquil restoration . . . (22-24, 28-30)

MLA Works Cited Page: Basic Format

According to MLA style, you must have a Works Cited page at the end of your research paper. All entries in the Works Cited page must correspond to the works cited in your main text.

Basic rules

  • Begin your Works Cited page on a separate page at the end of your research paper. It should have the same one-inch margins and last name, page number header as the rest of your paper.
  • Label the page Works Cited (do not italicize the words Works Cited or put them in quotation marks) and center the words Works Cited at the top of the page.
  • Double space all citations, but do not skip spaces between entries.
  • Indent the second and subsequent lines of citations by 0.5 inches to create a hanging indent.
  • List page numbers of sources efficiently, when needed. If you refer to a journal article that appeared on pages 225 through 250, list the page numbers on your Works Cited page as 225-50. Note that MLA style uses a hyphen in a span of pages.

Additional basic rules new to MLA 2009

     New to MLA 2009:
  • For every entry, you must determine the Medium of Publication. Most entries will likely be listed as Print or Web sources, but other possibilities may include Film, CD-ROM, or DVD.
  • Writers are no longer required to provide URLs for Web entries. However, if your instructor or publisher insists on them, include them in angle brackets after the entry and end with a period. For long URLs, break lines only at slashes.
  • If you're citing an article or a publication that was originally issued in print form but that you retrieved from an online database, you should type the online database name in italics. You do not need to provide subscription information in addition to the database name.

Capitalization and punctuation

  • Capitalize each word in the titles of articles, books, etc, but do not capitalize articles (the, an), prepositions, or conjunctions unless one is the first word of the title or subtitle: Gone with the Wind, The Art of War, There Is Nothing Left to Lose.
  • New to MLA 2009: Use italics (instead of underlining) for titles of larger works (books, magazines) and quotation marks for titles of shorter works (poems, articles)

Listing author names

Entries are listed alphabetically by the author's last name (or, for entire edited collections, editor names). Author names are written last name first; middle names or middle initials follow the first name:
Burke, Kenneth
Levy, David M.
Wallace, David Foster
Do not list titles (Dr., Sir, Saint, etc.) or degrees (PhD, MA, DDS, etc.) with names. A book listing an author named "John Bigbrain, PhD" appears simply as "Bigbrain, John"; do, however, include suffixes like "Jr." or "II." Putting it all together, a work by Dr. Martin Luther King, Jr. would be cited as "King, Martin Luther, Jr.," with the suffix following the first or middle name and a comma.

More than one work by an author

If you have cited more than one work by a particular author, order the entries alphabetically by title, and use three hyphens in place of the author's name for every entry after the first:
Burke, Kenneth. A Grammar of Motives. [...]
---. A Rhetoric of Motives. [...]
When an author or collection editor appears both as the sole author of a text and as the first author of a group, list solo-author entries first:
Heller, Steven, ed. The Education of an E-Designer
Heller, Steven and Karen Pomeroy. Design Literacy: Understanding Graphic Design.

Work with no known author

Alphabetize works with no known author by their title; use a shortened version of the title in the parenthetical citations in your paper. In this case, Boring Postcards USA has no known author:
Baudrillard, Jean. Simulacra and Simulations. [...]
Boring Postcards USA. [...]
Burke, Kenneth. A Rhetoric of Motives. [...]




Sunday, October 11, 2015

Writing 3 Class Notes -- Week 7 (October 8)

Greetings!

We had a great class this week.  I always enjoy the conversations that occur with this group of students.

Our Quick Write this week was a listing exercise.  As some of the students start to think about college application essays and scholarship essays, an important precursor for this writing is to know "what makes you tick."  The lists that I had them write might help them unpack a little bit who they are:  7 Passions, 10 Interests, 10 Skills, and 7 Dreams.  

This was the week that Rough Draft #1 was due, but in the last Class Notes, I mentioned that with our Fall Break, they could have an extension until Monday, October 19.  (I will be at a conference all of this next week, so I won't be able to get to them until then.)  For those who got their rough draft done -- Good job!.  

For Rough Draft #1, I will be reading primarily for content and organization.  In the second Rough Draft, my focus will be grammar, mechanics and sentence/paragraph construction.

In class this week we discussed the research process.  I wanted to get across to the students that it is not always a straightforward, linear process.  Sometimes additional research must be done even as the paper is being written.  Sometimes a thesis must be adjusted because of new information found while doing research.  Or possibly a weak thesis gives way to a stronger thesis as a student is gathering more information.

I also discussed with the students Peer Editing and paragraph construction.

Our classroom does not have a clock, so keeping track of time can be a little challenging.  Last week I inadvertently let the students out early, and not a one of them mentioned it.  This week, even thought I set my alarm on  my phone so that it wouldn't happen again, the class almost tricked me into letting them out early by causing me to think that they only had a few minutes left. Thankfully, we didn't lose that last half hour, and they got to do some extra grammar.  

Assignments for October 22
-- Rough Draft #1 in by Monday, 10/19
-- Review A:  Clauses Worksheet

Links for this week:
Class Notes

Have a great Fall Break!
See you on October 22,
Mrs. Prichard

WEEK 6 – Clauses, part 2


Clauses:  Careful writers introduce clauses into their writing for emphasis, variety, and added information.  Clauses are either independent, meaning they can stand by themselves and make sense (in other words, sentences), or dependent, meaning they cannot stand by themselves, and to make sense, they need to attach themselves to other words, phrases, or independent clauses.

Independent clause, main clause, or sentence are synonymous and the terms may be used interchangeable.  Also, dependent and subordinate are synonymous and used interchangeably.  Subordinate also implies that the thought expressed by this type of clause is an important fact but less important than the sentence itself.  If a subordinate clause cannot be removed (the meaning of the sentence is altered), then this clause is restrictive or essential.  If the clause can be omitted without changing the meaning of the sentence, then the clause is non-restrictive or non-essential.


ADJECTIVE CLAUSE
An adjective clause is a group of words with a subject and verb and introductory relative pronoun (who, whom, which, that); this group of words modifies a single noun or pronoun.
Examples:
·  Butch, who tells the best stories, has traveled alone all through the West.
·  After reading from his novel, the author took questions that the audience enthusiastically asked.
·  The program that captures the imagination of the audience usually receives the greatest applause.
·  The Tavern, which is owned by an Englishman, does a great business in Northfield.



ADVERB CLAUSES
An adverb clause is a group of words with a subject and verb and an introductory adverb that designates when, where, how, and to what extent and expresses reason.  Adverb clauses usually modify verbs but, like single adverbs, also modify adjectives. 

Usually, when an adverb clause comes at the beginning of a sentence, it is set off by a comma.
Examples:
·  When Alyssa called, she told us that she has a new job.
·  When the sentence was written, the writer ignored standard rules of grammar.

When the adverb clause is in the middle of the sentence, it usually is set off by a comma, but at the end of the sentence it is set off by a comma only if the thought in the clause is abruptly negative to the words before.
            Examples:
·  Joan travels to Nantucket every year, although she never goes fishing. (the clause is contrary to the preceding thought)
·  Joan also visits New Bedford before she lands on Nantucket.  (no comma needed)
·  My son points beautiful portraits, even though he never took lessons.  (contradicting thought)


WEEK 5 – Clauses, part 1


Clauses:  Careful writers introduce clauses into their writing for emphasis, variety, and added information.  Clauses are either independent, meaning they can stand by themselves and make sense (in other words, sentences), or dependent, meaning they cannot stand by themselves, and to make sense, they need to attach themselves to other words, phrases, or independent clauses.

Independent clause, main clause, or sentence are synonymous and the terms may be used interchangeable.  Also, dependent and subordinate are synonymous and used interchangeably.  Subordinate also implies that the thought expressed by this type of clause is an important fact but less important than the sentence itself.  If a subordinate clause cannot be removed (the meaning of the sentence is altered), then this clause is restrictive or essential.  If the clause can be omitted without changing the meaning of the sentence, then the clause is non-restrictive or non-essential.

Sentences and Clauses
By combining main clauses and dependent clauses, a writer can stress thoughts when he uses main clauses and relegates other thoughts less important when he uses dependent clauses.
            Examples:
(Although the Yankees played several games with replacements), the team hung together and eventually won the pennant.  (The writer stresses the cohesiveness and victory of the team in the main clause as the main idea.)
The Carpenters, (who have lived in several parts of the world), love Minneapolis the best.  (The clause is dependent on the primary idea.)





DEPENDENT CLAUSES
A dependent clause is a group of words with a subject and verb:  noun clauses, adjective clauses, and adverb clauses function in the same manner as words and phrases, except clauses tend to be longer units.  These groups of words may look like sentences because they contain a verb and a subject; however, they also may contain an introductory word which shows some relationship to another part of the sentence.  Therefore these clauses cannot stand by themselves because they must attach themselves to make sense.


NOUN CLAUSE
A noun clause is a group of words that function as a subject, direct object, indirect object, object of the preposition, or predicate nominative.
            Examples:
·  SubjectWhoever is responsible for the graffiti should turn himself in to the police.
·  Direct Object:  Gene clicks away with the remote and chooses whatever suits his fancy.
·  Indirect Object:  Mr. Collins assigned whoever had an “A” an extra credit project.
·  Object of the preposition:  Mr. Jameson will present the award to whoever baked the best chocolate cake.
·  Predicate Nominative:  The award was whatever struck the fancy of the judges.





Friday, October 2, 2015

Writing 3 Class Notes -- Week 6 (October 1)

Greetings!

Yesterday was a great day, weather-wise and class-wise.  

We began the class with a Quick Write that came from a list of possible college application essays.  The one for this week:  If you were to be a character in a novel, which one would it be and why?  We talked about the value of these essays as part of the college application process.

In the research paper writing process, students not only need to learn how to find and gather information, but they need to know how to present it well in their papers.  This week we talked about plagiarism and proper citation principles.  While some students intentionally copy the work of others, others accidentally copy material that others have written.  Sometimes students are tempted to change words a little bit in a sentence -- this is still stealing.

The first rough draft is due next week.  When I reminded the students of this, there faces showed a little bit of  discomfort.  Since they've had the syllabus since the beginning of the semester, this really isn't a surprise, but this due date always seems to catch students off-guard.  I will read this rough draft paying special attention content and organization.  Looking at the calendar, I have a suggestion -- we will not have class on October 15, so students could have extension on this first rough draft.  Instead of handing it on October 8, they can e-mail it to me by October 15.

We watched a video, and I have some others that I would like the students to watch.  I unintentionally let the students out early, but it did give me a chance to talk with some students individually.

Assignment for Next Week:
-- Rough Draft #1 (which can be extended to October 15)

This week's links:
Class Notes

Have a great weekend!
See you next week --
Mrs. Prichard